Thadayam: A Serial Killer Story That Reveals Its Secrets Too Soon
A biscuit sinks slowly into a glass of tea, going soft before a weary Sub Inspector can even take a sip, and somehow that tiny, … .
A biscuit sinks slowly into a glass of tea, going soft before a weary Sub Inspector can even take a sip, and somehow that tiny, … .
You usually walk into a single-location thriller expecting a tight, breathless race against the clock. When a movie traps two men on a tiny boat … .
There is a moment early in Masthishka Maranam where you spot them: those nostalgic yellow and red A/V connectors we used for childhood gaming consoles, … .
There is a very specific, infectious kind of laughter that ripples through a theater when an actor drops the “hero” act and just decides to … .
From the very first frame, I felt that Arivaan was striving for something more than the familiar thrills of a routine whodunit, it positions itself … .
Some films announce themselves with spectacle, while others quietly simmer, drawing you in with atmosphere, intimacy, and emotional truth. As I settled into Nawab Cafe, … .
What struck me immediately about Spa is its audacity to build an entire cinematic world inside a massage centre and still keep it buzzing with … .
What struck me immediately about Nilave was its unapologetic commitment to being a musical experience first and a conventional love story second. I rarely encounter … .
Love stories often promise comfort, but Dream Girl feels like stepping into a quiet emotional landscape where every glance carries meaning and every dream seems … .
Unique in its attempt to blend a love story with a satirical take on filmmaking and the inner struggles of a sensitive creator, I found … .
Pookie turns a simple breakup romance into a noisy mirror of today’s social media obsessed youth culture, and that unusual blend of viral aesthetics and … .
The film’s most distinctive quality lies in its unusual fusion of breezy rural romance with a sudden, superstition driven village thriller, and that hybrid identity … .
Unique in its attempt to fuse blind faith with dark tantric rituals, Honey instantly signalled to me that it wanted to explore horror through psychological … .
The unique strength of Sri Chidambaram Garu lies in its quiet commitment to telling a grounded love story shaped by ordinary lives and intimate insecurities, … .
The unusual reversal of dreams between a father and son instantly sets Ashakal Aayiram apart, and I found this central idea to be the film’s … .
The raw emotional honesty of Lockdown struck me from its very first moments, because the film places a young middle class woman at the centre … .
While entering the theatre to watch Valathu Vashathe Kallan, I carried a sense of measured anticipation. The film is directed by Jeethu Joseph, a filmmaker … .
I started to watch Baby Girl with a guarded sense of optimism, not the kind driven by hype, but the kind shaped by past associations … .
I watched Maayabimbum with no surrounding noise, no aggressive promotion, and no inflated expectations, and that silence around the film strangely mirrors its emotional temperament. … .
Thalaivar Thambi Thalaimaiyil arrives with a deceptively modest rural premise and an ambition that quietly exceeds its scale. Directed by Nithish Sahadev, the film positions … .
I approached Vaa Vaathiyaar carrying a clear sense of anticipation, largely because of the names attached to it and the ideological weight it openly promises. … .
I came to Mana Shankara Vara Prasad Garu with a clear intention to judge it strictly by what unfolded on screen for me, not by … .
I walked into Pennu Case with measured curiosity rather than heightened expectation. The circumstances of its release immediately framed my mindset. This was a film … .
I walked into Kaakaa with a simple expectation, to laugh without effort and to leave the theatre lighter than I entered. By the time the … .
I walked into The Bed with a fairly clear sense of the territory it wanted to explore, not because the promotional material gave away too … .
I walked into Anali with a cautious sense of curiosity rather than excitement. Directed by Dinesh Dena and frontlined by Cynthia Lourde, the basic question … .
I walked into the theatre knowing only fragments about Haal, and that limited awareness shaped much of my viewing experience. Even before the film began, … .
I walked into Sarvam Maya with a deliberately measured mindset. This was not one of those films surrounded by excessive hype or inflated promises. On … .
I walked into Kandhanmalai with a certain curiosity, largely because the title itself carries weight and implication. A name like Kandhanmalai immediately signals ideological intent, … .
I walked into Mark with a fairly clear sense of what kind of film I was about to experience. This is a commercial action thriller … .